For many years the world famous award winning adult actress known as Brandi Love has been labeled by the less popular pornstar Alana Evans as a “racist” – but in truth, is Brandi, an outspoken Donald Trump administration supporter, any more racist than the majority of her adult industry peers? Alex Mayers goes into detail in this podcast as to the reality of the adult industry’s foundation being built upon the exploitation of racist themes.
In addition she points out that in actuality, Alana Evans name calling and bullying of Brandi Love is likely due extreme jealousy over the fact that Brandi could easily pass as Alana’s more popular, more athletic and far more photogenic little sister.
From Alexandra Mayers’ perspective, June 10th’s Xbiz Town Hall in regards to racism in the American pornography revealed that today’s active adult actors and actresses of color are not only complicit, but are DEPENDENT upon the industry’s racism (and racist practices) to continue working and avoid contending with competitors entering (and being accepted within) their industry.
From this day forth, Alexandra Mayers will continue to document perceived racism in the adult entertainment industry, but will no longer complain about it on behalf of today’s talent (who she now knows is just fine with the pornography industry remaining exactly as it is).
Notes and observations from the online meeting can be found here:
In part 2 of this comprehensive interview with adult actress and adult performer advocate Lasha Lane (click here to view part 1) – Lasha outlines what she feels are cost inequities within the FSC controlled PASS system and how some studios appear to be “grandfathered” into the pass network and don’t have to pay to access talent records (whereas others do).
In addition Lasha Lane makes it clear that she’s willing to work with all of the adult industry leadership entities (such as the FSC, APAC and APAG) as she feels that they’d all be more effective were they to unite (opposed to continuing to fight).
Lasha states that one of her goals is keep the government out of the adult industry (in regards to regulation). Lasha Lane also delves into the perception of Black (African American) women in the industry (the mainstream vs. urban debate) and expresses how she is glad that a few Black women in the industry are finally exercising their voice.
Lasha Lane shares her long term objectives within the adult entertainment industry and outlines how she believes the long standing adult industry institutions, media outlets and awards shows (such as AVN ) at their core seem to want to be more inclusive and promote diversity, but don’t appear to know exactly how to do so (due to the “old guard” within the industry)… Lasha hopes that her efforts will shift the industry in a more productive and positive direction when it comes to educating the industry (as a whole) in regards to what inclusiveness in actuality is.
The primary change Lasha Lane feels should occur within the industry should be the elimination of pornstar talent agents, agencies and publicists – due to people in such positions having too much perceived (and unjustified) “power” in regards to the type of content produced, who works (versus who doesn’t), the existence of the illegal problematic prostitution rackets, and the global “trends” the industry at times dictates (as being valid) to the public.
In the upcoming part 3 of this interview Lasha Lane goes into detail in regards to the dispute between APAG union leaders and FSC leaders in regards to a future proposed program to provide adult performers with RESOURCES and EDUCATE adult performers as to what the realities of what the porn industry really are.
Alexandra Mayers conducts an insightful and educational interview with adult actress and performer advocate Lasha Lane in regards to a plethora of issues today’s adult performers face (especially in regards to the Free Speech Coalition’s PASS testing network).
This is a 2 part interview.
In this video (part 1), Lasha specifically addresses her concerns about the affordability of the STD tests offered by the FSC’s PASS system testing clinics. Lasha questions whether or not the high cost could be hindering performers from a lower financial bracket (performers who are often People Of Color) from having the opportunity to work in the industry consistently (or even at all).
Lasha also notes that upon meeting (and speaking with) the current spokesperson of Talent Health Labs (Kiki D’Aire), her questions and concerns were not properly answered. One of Lasha’s primary questions revolves around how additional affordable STD testing clinics could become a part of the FSC controlled PASS network.
As of current Lasha Lane is hoping the Free Speech Coalition leadership will offer solid answers, so that in time, the adult industry can effectively raise it’s current level of inclusiveness.
Ex porn star Lisa Ann believes that she left the adult film industry when it became too ‘aggressive’ and ‘extreme’.
Lisa Ann is best known for her role as former vice presidential candidate Sarah Palin in the porn parody titled ‘Who’s Nailin’ Paylin?’. Ann had revealed that the scene had changed from when she had started it in the 1990s. As reported by LadBible, she shared, “Being a porn star in the 90s was very different than it is now. The girls were so valued.”
Brandi Love – yes, she’s an outspoken Trump supporter but is she any more racist than Alana Evans?
For many years the world famous award winning adult actress known as Brandi Love has been labeled by the less popular pornstar Alana Evans as a “racist” – but in truth, is Brandi, an outspoken Donald Trump administration supporter, any more racist than the majority of her adult industry peers? Alex Mayers goes into detail in this podcast as to the reality of the adult industry’s foundation being built upon the exploitation of racist themes.
In addition she points out that in actuality, Alana Evans name calling and bullying of Brandi Love is likely due extreme jealousy over the fact that Brandi could easily pass as Alana’s more popular, more athletic and far more photogenic little sister.